The Ambassadors by Hans Holbein the Younger, is a portrait of two Frenchmen, one an ambassador to the court of King Henry VIII, the other a cleric. They are leaning on a cupboard with displays — on the upper shelf objects referring to the heavens; on the lower shelf, objects indicating their earthly interests. There are many hidden messages and meanings in this work, notes Donald Clark, including the large anamorphic skull, which he has chosen to interpret in terms of learning. The painting reveals a 1533 curriculum of the emerging split between the vocational arts and academia, and the retreating role of religion, a curriculum whose influence is clearly still felt some 500 years later.
The Ambassadors
The Ambassadors by Hans Holbein the Younger, is a portrait of two Frenchmen, one an ambassador to the court of King Henry VIII, the other a cleric. They are leaning on a cupboard with displays — on the upper shelf objects referring to the heavens; on the lower shelf, objects indicating their earthly interests. There are many hidden messages and meanings in this work, notes Donald Clark, including the large anamorphic skull, which he has chosen to interpret in terms of learning. The painting reveals a 1533 curriculum of the emerging split between the vocational arts and academia, and the retreating role of religion, a curriculum whose influence is clearly still felt some 500 years later.